Ajay Sharma Associates
#E-63 1st Floor Sector 20 Noida, Delhi-201301
Landmark: Near Omnagar Railway Crossing Phone: 0120-2534212
MUSICOLOGY school of music, speech & drama
C-56/38 Sec-62 instiutional area, Noida, Uttar Pradesh 203101 - 0120 4247246
Studio Zephyr : Sound Studio Noida
B - 58, Sector - 20, Noida, Uttar Pradesh, Noida, Uttar Pradesh 201301 - 09999755233
RAYZ Entertainment
A -293, LGF, Shivalik, New Delhi, Delhi 110017 - 011 4603 7557
Samir Music Center
294, Shiv Complex, New Ashok Nagar, Ashok Nagar, New Delhi, Delhi 110096 - 09868417786
Gopal the Music Shop
Indra Market, Sector 27, Noida, Uttar Pradesh - 0120 2530816
Gopal the Music Shop
Indra market, Sector 27, Noida, Uttar Pradesh 201301 - 0120 2530816
Lahore Music House
3705, Netaji Subhash Marg, Daryaganj, New Delhi, Delhi 110002 - 011 23271305
Marques Music Salon
G-14, Connaught Place, Connaught Place, New Delhi, Delhi 110001 - 011 23737741
Full Circle
5 B, Khan Market, New Delhi, Delhi 110003 - 011 24655641
Beats Of Music
1895-B/18,Govindpuri Extension, Kalkaji, New Delhi, 110019 - 09818422292
Thursday, November 20, 2008
Tuesday, November 18, 2008
Classical guitars
Classical guitars
These are typically strung with nylon strings, played in a seated position and are used to play a diversity of musical styles including classical music. The classical guitar is designed to allow for the execution of solo polyphonic arrangements of music in much the same manner as the pianoforte can. This is the major point of difference in design intent between the classical instrument and other designs of guitar. Flamenco guitars are very similar in construction, but are associated with a more percussive tone. In Mexico, the popular mariachi band includes a range of guitars, from the tiny requinto to the guitarron, a guitar larger than a cello, which is tuned in the bass register. In Colombia, the traditional quartet includes a range of instruments too, from the small bandola (sometimes known as the Deleuze-Guattari, for use when traveling or in confined rooms or spaces), to the slightly larger tiple, to the full sized classical guitar. The requinto also appears in other Latin-American countries as a complementary member of the guitar family, with its smaller size and scale, permitting more projection for the playing of single-lined melodies. Modern dimensions of the classical instrument were established by Antonio Torres Jurado (1817-1892). Classical guitars are sometimes referred to as classic guitars. In recent years, the series of guitars used by the Niibori Guitar orchestra have gained some currency, namely:
* Sopranino guitar (an octave and a fifth higher than normal); sometimes known as the piccolo guitar
* Soprano guitar (an octave higher than normal)
* Alto guitar (a 5th higher than normal)
* Prime (ordinary classical) guitar
* Niibori bass guitar (a 4th lower than normal); Niibori simply calls this the "bass guitar", but this assigns a different meaning to the term than other parts of the community use, as his is only a 4th lower, and has 6 strings
* Contrabass guitar (an octave lower than normal)
These are typically strung with nylon strings, played in a seated position and are used to play a diversity of musical styles including classical music. The classical guitar is designed to allow for the execution of solo polyphonic arrangements of music in much the same manner as the pianoforte can. This is the major point of difference in design intent between the classical instrument and other designs of guitar. Flamenco guitars are very similar in construction, but are associated with a more percussive tone. In Mexico, the popular mariachi band includes a range of guitars, from the tiny requinto to the guitarron, a guitar larger than a cello, which is tuned in the bass register. In Colombia, the traditional quartet includes a range of instruments too, from the small bandola (sometimes known as the Deleuze-Guattari, for use when traveling or in confined rooms or spaces), to the slightly larger tiple, to the full sized classical guitar. The requinto also appears in other Latin-American countries as a complementary member of the guitar family, with its smaller size and scale, permitting more projection for the playing of single-lined melodies. Modern dimensions of the classical instrument were established by Antonio Torres Jurado (1817-1892). Classical guitars are sometimes referred to as classic guitars. In recent years, the series of guitars used by the Niibori Guitar orchestra have gained some currency, namely:
* Sopranino guitar (an octave and a fifth higher than normal); sometimes known as the piccolo guitar
* Soprano guitar (an octave higher than normal)
* Alto guitar (a 5th higher than normal)
* Prime (ordinary classical) guitar
* Niibori bass guitar (a 4th lower than normal); Niibori simply calls this the "bass guitar", but this assigns a different meaning to the term than other parts of the community use, as his is only a 4th lower, and has 6 strings
* Contrabass guitar (an octave lower than normal)
Type of Guitars
Guitars can be divided into two broad categories, acoustic and electric:
Acoustic guitars:
An acoustic guitar is one not dependent on an external device to be heard but uses a soundboard which is a wooden piece mounted on the front of the guitar's body. The acoustic guitar is quieter than other instruments commonly found in bands and orchestras so when playing within such groups it is often externally amplified. Many acoustic guitars available today feature a variety of pickups which enable the player to amplify and modify the raw guitar sound.
There are several notable subcategories within the acoustic guitar group: classical and flamenco guitars; steel string guitars, which include the flat top or "folk" guitar; twelve string guitars and
the arch top guitar. The acoustic guitar group also includes unamplified guitars designed to play in different registers such as the acoustic bass guitar which has a similar tuning to that of the electric bass guitar.
Renaissance and Baroque guitars
These are the gracile ancestors of the modern classical guitar. They are substantially smaller and more delicate than the classical guitar, and generate a much quieter sound. The strings are paired in courses as in a modern 12 string guitar, but they only have four or five courses of strings rather than six. The guitar player (c. 1672), by Johannes Vermeer can be seen in the figure. They were more often used as rhythm instruments in ensembles than as solo instruments, and can often be seen in that role in early music performances. (Gaspar Sanz' Instrucción de Música sobre la Guitarra Española of 1674 constitutes the majority of the surviving solo corpus for the era.) Renaissance and Baroque guitars are easily distinguished because the Renaissance guitar is very plain and the Baroque guitar is very ornate, with ivory or wood inlays all over the neck and body, and a paper-cutout inverted "wedding cake" inside the hole.
Acoustic guitars:
An acoustic guitar is one not dependent on an external device to be heard but uses a soundboard which is a wooden piece mounted on the front of the guitar's body. The acoustic guitar is quieter than other instruments commonly found in bands and orchestras so when playing within such groups it is often externally amplified. Many acoustic guitars available today feature a variety of pickups which enable the player to amplify and modify the raw guitar sound.
There are several notable subcategories within the acoustic guitar group: classical and flamenco guitars; steel string guitars, which include the flat top or "folk" guitar; twelve string guitars and
the arch top guitar. The acoustic guitar group also includes unamplified guitars designed to play in different registers such as the acoustic bass guitar which has a similar tuning to that of the electric bass guitar.Renaissance and Baroque guitars
These are the gracile ancestors of the modern classical guitar. They are substantially smaller and more delicate than the classical guitar, and generate a much quieter sound. The strings are paired in courses as in a modern 12 string guitar, but they only have four or five courses of strings rather than six. The guitar player (c. 1672), by Johannes Vermeer can be seen in the figure. They were more often used as rhythm instruments in ensembles than as solo instruments, and can often be seen in that role in early music performances. (Gaspar Sanz' Instrucción de Música sobre la Guitarra Española of 1674 constitutes the majority of the surviving solo corpus for the era.) Renaissance and Baroque guitars are easily distinguished because the Renaissance guitar is very plain and the Baroque guitar is very ornate, with ivory or wood inlays all over the neck and body, and a paper-cutout inverted "wedding cake" inside the hole.
Monday, November 17, 2008
Guitar History
Before the development of the electric guitar and the use of synthetic materials, a guitar was defined as being an instrument having "a long, fretted neck, flat wooden soundboard, ribs, and a flat back, most often with incurved sides". Instruments similar to the guitar have been popular for at least 5,000 years. The six string classical guitar first appeared in Spain but was itself the product of a long and complex history of diverse influences. Like virtually all other stringed European instruments, the guitar ultimately traces back thousands of years, via the Middle East, to a common ancient origin from instruments then known in central Asia and India. It is 
distantly related with contemporary instruments such as the tanbur, setar, and the Indian sitar. The oldest known iconographic representation of an instrument displaying all the essential features of a guitar being played is a 3,300 year old stone carving of a Hittite bard. The modern word, guitar, was adopted into English from Spanish guitarra (German Gitarre, French Guitare), derived from the Arabic qitara and Latin cithara, which in turn was derived from the earlier Greek word kithara, which is perhaps related to Old Persian sihtar. Sihtar itself is related to the Indian instrument, the sitar.
Illustration from a Carolingian Psalter from the 9th century, showing a guitar-like plucked instrument.
The modern guitar is descended from the Roman cithara brought by the Romans to Hispania around 40 AD, and further adapted and developed with the arrival of the four-string oud, brought by the Moors after their conquest of the Iberian peninsula in the 8th century. Elsewhere in Europe, the indigenous six-string Scandinavian lut (lute), had gained in popularity in areas of Viking incursions across the continent. Often depicted in carvings c. 800 AD, the Norse hero Gunther (also known as Gunnar), played a lute with his toes as he lay dying in a snake-pit, in the legend of Siegfried. By 1200 AD, the four string "guitar" had evolved into two types: the guitarra morisca (Moorish guitar) which had a rounded back, wide fingerboard and several soundholes, and the guitarra latina (Latin guitar) which resembled the modern guitar with one soundhole and a narrower neck.
The Spanish vihuela or "viola da mano", a guitar-like instrument of the 15th and 16th centuries is, due to its many similarities, usually considered the immediate ancestor of the modern guitar. It had lute-style tuning and a guitar-like body. Its construction had as much in common with the modern guitar as with its contemporary four-course renaissance guitar. The vihuela enjoyed only a short period of popularity as it was superseded by the guitar; the last surviving publication of music for the instrument appeared in 1576. It is not clear whether it represented a transitional form or was simply a design that combined features of the Arabic oud and the European lute. In favor of the latter view, the reshaping of the vihuela into a guitar-like form can be seen as a strategy of differentiating the European lute visually from the Moorish oud.
The Vinaccia family of luthiers is known for developing the mandolin, and may have built the oldest surviving six string guitar. Gaetano Vinaccia (1759 – after 1831) has his signature on the label of a guitar built in Naples, Italy for six strings with the date of 1779. This guitar has been examined and does not show tell-tale signs of modifications from a double-course guitar although fakes are known to exist of guitars and identifying labels from that period.
The dimensions of the modern classical guitar (also known as the Spanish guitar) were established by Antonio Torres Jurado (1817-1892), working in Seville in the 1850s. Torres and Louis Panormo of London (active 1820s-1840s) were both responsible for demonstrating the superiority of fan strutting over transverse table bracing.
distantly related with contemporary instruments such as the tanbur, setar, and the Indian sitar. The oldest known iconographic representation of an instrument displaying all the essential features of a guitar being played is a 3,300 year old stone carving of a Hittite bard. The modern word, guitar, was adopted into English from Spanish guitarra (German Gitarre, French Guitare), derived from the Arabic qitara and Latin cithara, which in turn was derived from the earlier Greek word kithara, which is perhaps related to Old Persian sihtar. Sihtar itself is related to the Indian instrument, the sitar.Illustration from a Carolingian Psalter from the 9th century, showing a guitar-like plucked instrument.
The modern guitar is descended from the Roman cithara brought by the Romans to Hispania around 40 AD, and further adapted and developed with the arrival of the four-string oud, brought by the Moors after their conquest of the Iberian peninsula in the 8th century. Elsewhere in Europe, the indigenous six-string Scandinavian lut (lute), had gained in popularity in areas of Viking incursions across the continent. Often depicted in carvings c. 800 AD, the Norse hero Gunther (also known as Gunnar), played a lute with his toes as he lay dying in a snake-pit, in the legend of Siegfried. By 1200 AD, the four string "guitar" had evolved into two types: the guitarra morisca (Moorish guitar) which had a rounded back, wide fingerboard and several soundholes, and the guitarra latina (Latin guitar) which resembled the modern guitar with one soundhole and a narrower neck.
The Spanish vihuela or "viola da mano", a guitar-like instrument of the 15th and 16th centuries is, due to its many similarities, usually considered the immediate ancestor of the modern guitar. It had lute-style tuning and a guitar-like body. Its construction had as much in common with the modern guitar as with its contemporary four-course renaissance guitar. The vihuela enjoyed only a short period of popularity as it was superseded by the guitar; the last surviving publication of music for the instrument appeared in 1576. It is not clear whether it represented a transitional form or was simply a design that combined features of the Arabic oud and the European lute. In favor of the latter view, the reshaping of the vihuela into a guitar-like form can be seen as a strategy of differentiating the European lute visually from the Moorish oud.
The Vinaccia family of luthiers is known for developing the mandolin, and may have built the oldest surviving six string guitar. Gaetano Vinaccia (1759 – after 1831) has his signature on the label of a guitar built in Naples, Italy for six strings with the date of 1779. This guitar has been examined and does not show tell-tale signs of modifications from a double-course guitar although fakes are known to exist of guitars and identifying labels from that period.
The dimensions of the modern classical guitar (also known as the Spanish guitar) were established by Antonio Torres Jurado (1817-1892), working in Seville in the 1850s. Torres and Louis Panormo of London (active 1820s-1840s) were both responsible for demonstrating the superiority of fan strutting over transverse table bracing.
Sunday, November 16, 2008
Guitar - Wikipedia, the free encyclopedia
Guitar - Wikipedia, the free encyclopedia: "The guitar is a musical instrument with ancient roots that is used in a wide variety of musical styles. It typically has six strings, but four, seven, eight, ten and twelve string guitars also exist.
Guitars are recognized as one of the primary instruments in blues, country, flamenco, rock music, and many forms of pop. They can also be a solo classical instrument. Guitars may be played acoustically, where the tone is produced by vibration of the strings and modulated by the hollow body, or they may rely on an amplifier that can electronically manipulate tone. Such electric guitars were introduced in the 20th century and continue to have a profound influence on popular culture.
Traditionally guitars have usually been constructed of combinations of various woods and strung with animal gut, or more recently, with either nylon or steel strings. Guitars are made and repaired by luthiers."
Guitars are recognized as one of the primary instruments in blues, country, flamenco, rock music, and many forms of pop. They can also be a solo classical instrument. Guitars may be played acoustically, where the tone is produced by vibration of the strings and modulated by the hollow body, or they may rely on an amplifier that can electronically manipulate tone. Such electric guitars were introduced in the 20th century and continue to have a profound influence on popular culture.
Traditionally guitars have usually been constructed of combinations of various woods and strung with animal gut, or more recently, with either nylon or steel strings. Guitars are made and repaired by luthiers."
Thursday, November 13, 2008
The Guitar!
I have created this Blog for those who wish to share and gain knowledge about Guitars. I'm glad there are a lot of guitar players pursuing technique as diligently as they possibly can, because it leaves this whole other area open to people like me! Among God's creatures two, the dog and the guitar, have taken all the sizes and all the shapes, in order not be separated from the man...
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